Review: Fiddler’s Journey to the Big Screen highlights a classic

In 1971, a film was released, which was a box office smash at both the box office (it was the top Gruser that year) and an important hit, 8 Academy Award enrollment including Best Picture. New yorker Film critic Palin Kail, which was very selective about films he liked, Film praisedHe had ever seen it one of the most “powerful” films.

While someone can think immediately French connection Or A Clockwork OrangeThe film in question is really Fidler on the roofA conversion to a Jewish family in Ukraine to a conversion of a hit stage musical chronicleing, as they face personal, political and social changes at the 20th -century turn. While the music is still revived at the stages around the world, the film seems to be AssumedAnd Breezi and Detailed Digeration Fidler trip on the big screen A solid case makes the film and its director, Norman Jin, deserve each other.

A miracle of miracle

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Director Daniel Rayem has a clear love for the film, and this is the passion-a skillful use of lord records, back views, and combined cast and new footage of crew with new footage-which makes the entire enterprise entertaining and informative. It does not hurt that Rayem Jeff uses Goldblum as the main narrator who guides the audience SarangiSomewhat for the large screen is original on the stage on the rocky road.

You don't need to be one Sarangi Fans to enjoy some common knowledge shared by Raim. For example, do you know that the main role of Tavi (played by Cham Topol in the film) was almost differently separate Italian, and Goyish, embodied by Frank Sinatra? Or that joined all the popular opinions and refused to cast the original broadway star Zero Mostle because he was too big for a star and was also American for film audiences to buy him as a struggling Russian Jew? How about the stories shared by the long deceased cinematographer Oswald Morris, who put silk stockings on the camera lens to achieve the unique look of the film? (Morris won the Oscar for his efforts). Even if you know these facts, it is fun that they are being searched again because Rayam appoints many chiefs who talk, the chief of them, to make themselves Jewish, to relay their personal experiences to bring their personal experiences Sarangi For life.

Sunrise Sunset

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Some standout interviews include actresses who played Tavi's daughters in the film: Rosalind Harris (Tzetail), Michel Marsh (Hodel), and Neva Small (Chawa). What is especially poignant about each of them Sarangi Was his success a high point of film and his career. His shared experiences clearly mean a lot to him, and adds his memories an emotional undercrunt that gives depth and weight to the documentary.

Another attraction is Star wars Music composer John Williams, who shares his remembrance of making the film's score early in his career. In an attractive sequence, he explained how Jusan explained the music of the film for the screen, to sync individual shots and to keep pace with the music of the film. The RAM shows Williams by intercuting the “If I Ware a Rich Man”, who brilliantly translates the mastery of both Williams and Jin to translate a potentially stable song and breathe breathing in it on a visual medium. This is one of the many routes that makes a solid case Sarangi All-time is one of the great film music-the way it seems only, but also due to this move Onscreen.

For life (and Norman joins)

Fidler's visit to the big screen – official US trailer

In the process of spotting the 1971 film adaptation and giving it its proper reason, Fidler trip Also highlights the director of the film: Norman Jawan. The archival footage and new interviews conducted for this documentary were seen in both Jewish, calm, intelligent and kind. He is a rare filmmaker who worked in almost every style from Dystopian Vigyan-Fi (excellent (Roller) To satire (Russians are coming, Russians are coming) For romantic comedy (Fanfare), And it's amazing to find out in the doctor Sarangi His first music was.

At the end of the film, when we joking with the cast and the crew, see a moving portrait of an artist – one from the last of a generation – who adapted a specific Jewish work of art, even though Jawan was not taken into confidence. What did this Canadian Gentiles make to bring the right person Fidler on the roof There is a question for life and asked and quietly replied in Rayam's documentary, which not only assures us to appreciate Tev and his family's cultural and artistic importance, but also praises the person who brought it so clearly 50 years ago.

Fidler trip on the big screen It is now in theaters.






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