Ana in love You do not have a specific romantic comedy. In fact, some people may not even see it as one. The film, which marks the feature directorial debut of the author-director Charine Bourgeois-Tacuet, tells a breathless and attractive story about a woman, whose blissful chase takes her to look for a man's female partner, with whom she was having a relationship with first. In its vowel, approach and presentation, Ana in love It is generally more than films of éric Rohmer and Noah Baumbach When Harry met Sally Or Notting Hill,
But Ana in love Apart from this, there are all things that require a good romantic comedy. It is a playful feeling from its first view to two attractive, charismatic performance from its first view to its last, many laughter-out-and-zool gags, and Anas Demostier and Valeria Brunia Tedchi. It is also bursting on the seam with happiness and romance and is one of the most delightful inverse of standard Rome-Com Meat-Cute None of the years of the last few years.
Bourgeois-Tacquet and Demouser spoke with digital trends about preparing the unique love story of the film. He also explains how his film production cooperation began and opens about what Deostare says to a character's “complex, contradictory process” that refuses to analyze.
Note: This interview is edited for length and clarity purposes.
Digital trends: The first thing I am eager is this: how both of you meet, and how it happened Ana in love,
Charline Burjua-Twitter: When I was writing my short film we met Polin sevariThe one who was produced by Stephen Demostier, and when it came to cast the main character, we both thought of Anas, who is as Stephen's sister. Anas was an actress that I had highly praised, but I really did not dare enough to ask her to take a part, but Stephen encouraged me, so I reached out.
Anas read the script and liked it, so we met for coffee and we got very well. Our cooperation on the short film was so amazing that it was clear that we were going to continue working together for a long time.
Anas is very scattered at the beginning of the film, but she always ensures herself. Both of you worked together to ride the line that he felt busy and dirty, but was purposeful?
Anass demoustier: I was not sure she was like to like it. This is something that I worried about many times. For those moments where her reactions were away from me and my own personality, I really tried to go into her mind and tried to understand where she was coming from where she was coming to communicate emotional transitions throughout the film. As an actress, this is what I did. In the process of doing this, I realized how pleasant it is to play such a character. He has such a condemnable personality.
Charline Burjua-Twitter: I think the key to this character is the fact that she is a young woman who follows her will and it is just that sometimes there is a collateral damage. I was interested in writing a comedy, and I knew that, because Anas was playing her, she was going to give the character a appearance that allowed me to take her tasks far away, keeping her soulless. The idea was that she follows her will and we follow her and it was a story that I had very trusted, and I trusted Ana to be able to find the right balance in her as an artist.
I think the film is one of the most interesting Rome-Com's I have seen in a long time. The way Annas falls in love with Emily, even before meeting her, she finds a deliberate refuge on a meat-kute like a refuge. Was this?
Charline Burjua-Twitter: I am not very familiar with the romantic comedy style. This is not something that I have seen a lot, so it is not really something that I kept in mind during the production of this film. But I wanted to make a film about love, and I wanted it to be a comedy, so they are all things. In terms of the period of its introduction to Emily, I think you are right that it is a reverse.
You know, I would say that her first real encounter with Emily, of course, when she sees her image. But this is a very important, decisive moment that occurs when Anas is in Emily's bathroom and looks at Emily's things. The way he plays is on your point: this is his first real conversation to say, and this is a reverse. The progressive nature of this attraction is that it does not begin as a physical attraction. It begins as an intellectual attraction and is curiosity that she feels as a result that leads Ana to Emily.
Anas, how did you find your way in character? The film does not have many moments of introspection in the film.
Anass demoustier: Hmm, this is true. It was a bit of a complex, contradictory process. For me, it was actually relying in fourline writing, which is a motor that I was able to catch for action. This allowed me to be excess in this situation, where she is talking too much and she is running too much.
This was a very physical process for me to enter the character, but once he was running, the balance between his actions and his self-awareness became clear because I realized that whoever is outsider has to be balanced in some other, internal way.
Ana in love On April 29, it hits theaters and on 6 May becomes available to stream on demand.
Author
