Ana in love There is a film about a woman in frequent speed. Its initial view follows its young heroine, Anas (played by Anas Demostier), as she runs through Paris to return to the apartment where her exaggerated landlord waits. Once, Anas has no time for instructions to install a fire alarm (or its landlord has to pay the money that he has) because he has to be somewhere else – that is, a party that he is already late.
The film follows Anas because she bounces – often at full speed – from place to place – from the place, interaction, to conversation, and dizziness, and the camera rarely stops or slows down. In fact, even in topical moments even when Anas stops to decide or grow on a hard development, the author-director fourline bourgeois-twenty usually keeps his camera at the speed, gradually looking towards her operated heroine and gliding around her, it is eager to see what she is going to do further.
fortunately, Ana in love Never comes out of ways to keep his name busy, which means that he always has something to do and say – even in those moments when it was probably best it would not have happened. It is a film that is a woman like a woman who follows in this way, can exaggerate and charm it with each turn. But there is anything that is powerfully assured about seeing a character that will follow his interests and impulses so confidently, especially when they lead him to a romance that is surprising and happy with happiness.
After your wish
The same after seeing a painting of Emily (Valeria Bruni Tedeschi) after Anas is exactly the same, a relaxed relationship with a man's partner has begun. Drawing towards Emily's image, Anas starts reading Emily's novels and in one of the best scenes of the film, and keeps its cosmetic products happy and keeps. Each action just feels anis a great attraction for Emily, and after getting a chance on the road, after meeting her expectations, Anas follows Emily when a writer retreats in the hope of developing her relationship further.
Thus there is a bubbly and attractive courtship that exceeds its proper part of the underlying passion and intensity. Demoustier brings a breathless, feudal energy to the film, plays anass as a woman who makes you feel how limited it is to limit the word “probability”. Unlike her, Tedchi plays Emily as a calm and contemplative woman, which is fascinated and flattering in equal measurements by very clear temptation of anas. At one point, both artists decrease and increase their energy to meet each other during a erotic dance scene that is set. Bette davis eyes,
Riskable
Their romance is brilliantly controlled and painted by bourgeois-towels. The script of the writer-director is funny and the way it should be, but it is far more destructive and intelligent, which excludes itself. The film is also filled with simple touch and simple but effective visual gags, such as Emily's partner (and an ex -lover of Anas) showed in the same scene wearing a blue blazer and red shirt, where Emily is wearing a blue dress and Ana is a red. Meanwhile, No Bach's cinematography makes the film bright and warm in such a way that simply leads its summer romance plot.
In other words, it is a visually pleasant film to see, which makes sense of how the script of bourgeois-tacuet is on the importance of advancing someone's wishes. Many times, that focus results in Ana in love Trying his patience, and all its various deiters do not move to interesting results. But Ana in love There is also a film that understands what can happen when a person really pays the decision to advance his desires. Sometimes, the risk is actually worth reward.
Ana in love It will be released in theaters on 29 April and will be available on demand on 6 May.